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But by the end of the movie, a different explanation emerges for why the wife looking real sex Bessie moves so speedily. The contours of her life—from poor and parentless to minstrel singer wifw celebrity of unprecedented stature to career slump to premature death by car crash—are simple enough, but the details could fill seasons of a TV series.

At one point, a man stabbed her in the street, but she still performed the next day. The director Dee Rees portrays those last two situations, such shocking examples of the horrors faced by a black woman in the South in the 20s, as minor moments of drama rather than symbolically wife looking real sex Bessie.

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In each instance, the film revels not in the lookkng but in the performances Smith puts on after. In the first minutes of Bessieshe nonchalantly slashes wife looking real sex Bessie would-be rapist with a bottle shard and then walks on stage.

Even as she conquers the vaudeville circuit and crushes social conventions, Smith comes off as somewhat reserved, with a vein of vulnerability.

At nearly two hours, Bessie feels a lot like any other TV biopic, with unspectacular production values and a mostly chronological story structure. Nothing and nobody else will fill it. We want to hear what you think about this article.

Submit a srx to the editor or write to letters theatlantic. Spencer Kornhaber is a staff writer at The Atlantic, where he covers pop culture and music.

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